Delhi, India’s capital, where I go to visit my brother, is all red earth and shrubs from the window seat of the plane. It’s only when we go into the city that I realize it isn’t a part of the India I grew up in. It has more green than the sprawling crumbling mess that is my hometown Kolkata, despite its desert North Indian terrain to Kolkata’s wet marshes and sea and tall coconut trees. It has roads and buses and a metro station that New York or Chicago could envy. And behind the glossy urban feel of it all there’s so much history.
A very short recap: Delhi was the capital of several different dynasties of Indian kings. It was even mentioned in the Iliad of Eastern civilization, the Mahabharata. Several Muslim dynasties, Turks and Persians, whose empires I’ve studied details of for several springtime exams all my life, had their capitals there. The most famous, of course, are the Mughals, and not just because it was the Mughal emperor Shah Jahan who built Tourism India’s biggest claim to fame, the Taj Mahal. The Mughal empire ruled over India for 300 years and is responsible for its greatest architecture. They built palaces, founded a religion, patronized artists and singers and gave the country, fought over by thousands of different dynasties, stability that helped it grow.
On my first day in Delhi, the National Museum in Delhi is the first place in which I begin to realize how amazing and far-reaching Indian history is, and just how much gorgeous stuff has been made during its course. There are artefacts from the Mohenjo-Daro and Harappan civilizations, which started near Delhi and are as old as the Egyptian and Mesopotamian civilizations. These featured wonders of urban planning, of which an incredibly sophisticated drainage system that I marvel at because I have a thing for clean bathrooms is not the least. I have to also marvel at the detailed finish of the seals and the statues and the coins and the utensils featured in the exhibit. The next few hours are a whirlwind of breathtaking stone statues of religious figures from later Hindu dynasties, the edicts of Ashoka the Budhhist king on a stone, currency notes from the early 1900s, miniature paintings of religious figures and kings hunting and partying and smoking huqqa and pining for their queens, a wooden door with thousands of engravings from the Chola dynasty, a thousands-of-years old bust of Lord Shiva, intricately-patterned handles of daggers and clothes with more delicate embroidery than I can take in in a few minutes. Why Europe is considered the bedrock of civilization or art or whatever is suddenly beyond me.
I walk around the Lodi Gardens, where tombs of Muslim rulers like Muhammad Shah are and which is mostly a lot of lush green vastness with the occasional grandly imposing palatial tomb. It’s in the heart of the city, but so peaceful inside, with birds chirping and teenage couples strolling. A pause in the sightseeing for biryani – rice, meat and potato cooked in several different spices, for philistines who’ve never tasted it – at the Islamic Cultural Centre and then the India Gate, a gigantic round arch built as a war memorial for Indian soldiers who fought for the colonizing British in the World War. My brother’s car is blocked at its entrance by an enterprising parking attendant who demands twenty rupees for an hours’ gazing.
My brother’s government-sponsored driver, who possesses the intrepidity of a true North Indian, demands brusquely, “What if we don’t take an hour?”
“You will,” says the parking attendant, enjoying a thorough nose-digging session while staring into the distance.
“You don’t know that,” says the driver, and guns the car past the metal barrier and leaving the parking attendant enjoying the contents of his nose even as he shouts, “You will!” after us.
I stare at it and think not of brave soldiers but of things that come out of a war – new societal and political structures, new states, literature, film, thousands of stories, memorials.
“We were here for twelve minutes,” the driver says triumphantly as he brushes past the parking attendant again.
After the twelve minutes at the India Gate, I visit the second Mughal ruler Humayun’s tomb, which is described as the precursor to the Taj Mahal since it was built by his grieving widow and has the general pattern of the Taj – four gates leading to the mausoleum at the centre. We pay ten rupees for entrance while the Argentinian couple in front of us coughs up five hundred. (Note to tourists: when in India, learn how to say two tickets please with an authentic Indian accent, because masquerading as an Indian national will save you thousands in tourist-spot entrance fees.) My brother points out the blend of Hindu Rajput and Islamic architecture in the pairing of curved arches with squares, the geometric precision of the arched doorways so that through one you can see the next, the white patterns somehow carved into the red sandstone. We hear a peacock’s shrieks and walk around the gardens surrounding the tomb looking for it, but it’s nowhere to be found. Inside the grand arched room housing the tomb is a dozing dog and a couple of squatter women stretched out asleep on the raised tombstones. Welcome to the fastest growing population in the world, where any surface is good for shelter.
A break from the forty-degrees-Celcius day in the Barista coffee shop in Khan Market, a series of shops where Delhi-ites shopped before malls took over the developing world, with a horrible drink that I vehemently recommend the avoidance of called a Green Tea Mojito. And then Delhi Haat, a village-fair-like market with shops selling handicrafts and glittering bangles and henna-applying services and and bags and shirts and intricately-stitched wall hangings and notebooks and earrings and busts of gods and furniture made with mind-boggling care, some of the most beautiful and intricate and elaborate things I’ve ever seen. The bargaining goes like this:
The bargaining goes like this:
“How much?” “One-fifty.” “Bhaiyya, (brother), tell me the proper price.” “I’m telling you a good price! I’ll make it one forty-five for your sake.” “Thirty.” “Will you give me a hundred?” “Fifty.” “You must be joking.” “Fifty.” “Think of me sister, I have a wife, I have children…how about eighty?” “I will be grateful to you forever, good karma will visit you, I’ll come back again…let’s say fifty-five.” Nobody budges for a minute, and then the buyer turns away. After walking five paces… “Okay, okay!” And it’s sold for seventy.
A man turns the handle of a bioscope, a box with holes in it that one puts one’s eye to look at pictures that move in an endless loop as the handle is turned. There are also food stalls from every state in the country. Like good citizens of Kolkata, the capital of the state of Bengal, we head to the stall from Bengal and battle with stray dogs and sixty billion flies for fish rolls. I’m ready for more.